Monday, 19 March 2012

28. The Layers of Meaning in Ads


University of Botswana
Department of Media Studies
BMS 226 ETHICS FOR MEDIA PROFESSIONALS

HANDOUT 27: BASIC ANALYSIS OF THE LAYERS OF MEANING IN ADS

Katherine Frith (1998) discusses a tripartite approach to reading advertising. The examples below follow her understandings of ads in “Undressing the Ad: Reading Culture in Advertising.”

Frith's Level of Analysis
Description of the Ad Level
The Surface Meaning
"consists of the overall impression that a reader might get from quickly studying the advertisement...you can describe this surface level of meaning by simply listing all the objects and people in the ad" (1998:5).
The Advertiser's Intended Meaning
"is the sales message that the advertiser is trying to get across. Some marketers refer to this as the strategy behind the ad. It is the 'preferred' or expected meaning that a reader might get from the ad; the meaning that the advertiser intends for the reader to take with them" (ibid.).
The Cultural or Ideological Meaning
"...relies on the cultural knowledge and background of the reader. We all 'make sense' of ads by relating them to our culture and to the shared belief systems held in common by most people" (ibid.).

A Sample Reading of an Ad



Frith's Level of Analysis
Analyses of the Specific Ad
The Surface Meaning
The advertisement consists of a muscular male standing in his underwear with a nude female positioned on a bed wearing no clothes.
The Advertiser's Intended Meaning
The advertiser is trying to point out the comfort of the particular underwear and that the brand can be worn in different settings, they are lightweight, and unlike any other underwear on the market. As a product, the underwear will "benefit" men.
The Cultural or Ideological Meaning
The specific use of the phrase "for the benefit of mankind" connotes a number of ideological meanings. At one level, the phrase (as well as the composition) speaks to the constructions of patriarchy in U.S. culture. Men are typically the ones who "benefit" from popular. As well, the use of "mankind" suggests the superiority of males in society. The visual composition and poses of the two figures also speaks to the dominance of males over females. Another meaning is that of male sexuality and the notion that women are presented to serve men, sexually and in other respects. The advertiser will also benefit from the association of male virility and the specific product being sold in the ad.

SOURCE: Gender ads project


Wednesday, 14 March 2012

27. Stereotyping in Advertising


University of Botswana
Department of Media Studies
BMS 226 ETHICS FOR MEDIA PROFESSIONALS

HANDOUT 26: STEREOTYPING IN ADVERTISING



Definitions
Stereotypes are assumptions we make about people based on generalisations about groups of people.

Gender refers to the attributes, behaviors, personality characteristics, and expectancies associated with a person's biological sex in a given culture; may be based on biology, may be learned, or may represent a combination of biological and cultural determinant.

Gender Identity refers to the sex with which individuals associate themselves.

Gender Stereotype Identification refers to the extent to which an individual identifies with the culture's gender stereotypes: masculinity and femininity.

Gender Roles
These beliefs are so ingrained in our consciousness that many of us think that gender roles are natural, so we don't question them. Even if we don't consciously subscribe to them as part of our own belief system, our culture bombards us with messages about what it means to be men and women today.

Gender stereotypes occur when you apply generic attributes, opinions or roles toward either gender. Gender stereotypes are apparent everywhere in our society, especially in the media. Companies display ads and commercials to gear toward the common belief of gender stereotypes. They portray women in housecleaning and child rearing roles to sell cleaners and baby products. They sell beer and cars to men by showing women in revealing outfits, or a sweating man working hard. These gender stereotypes are used to sell the products to the people they believe would use them most, showing them in the "situations" they would most likely be in.

There is a distinction between stereotypes and generalizations. Generalizing is a natural human behavior and is an attempt to simplify and categorize experiences. We naturally compare what we don't know to what we do know -- or think we know. For example, generalizations bring together a series of observations or experiences relating to an area or group in a simplified way. It's a generalization, therefore, to say that most men like professional sports, but this does not imply that all men do. Stereotypes, on the other hand, ascribe certain characteristics invariably to an entire group.

Stereotypes in advertising on children's television programs have been a special problem because of their potential impact on gender socialization and, subsequently, children's views of themselves and other people. In the United States, where children may view more than 20,000 commercials a year, the opportunity for influence is substantial. The possibility that children might acquire negative stereotypes through television viewing, therefore, has aroused concern among parents, educators, and members of the advertising industry.

Emotional Harm
When we unconsciously try to live up to the unattainable standards of the stereotype we can do physical and emotional harm to ourselves. Often, we don't notice this because we tend to mould ourselves to fit these stereotypes as a matter of course. This can be damaging. A boy with a very slight build who wants to be muscle-bound is fighting against himself if he tries to change his physique to match that of the stereotypical male. A girl who has an angular nose can fall into the same trap if she listens to her friends and/or relatives who are trying to convince her she needs a nose job.

Women's preoccupation with the beauty myth is evident in most cultures that consume television and other media influences. Sadly, more and more women want to be the stereotypical ideal, and they are preoccupied with either getting thin or staying thin.

Sexual Imagery in Advertising
The media, in whatever form, is a business that sells information and reaches millions of people. Advertisers have developed a multi-billion dollar industry to convince consumers that we need to buy their products. The Pepsi/Coke wars are a recent example of how marketers rally for the buying public's attention and loyalty. One thing is for sure: ads do influence our choices when we go to buy something. But the influence of advertisements is tricky to deal with because they affect us subliminally.

We often see ads that feature superficially beautiful or "desirable" models, so it comes as no surprise that sexual imagery is used to sell products. But depicting people this way can also contribute to gender stereotypes.

The pressures on girls are exacerbated by the media's increasing tendency to portray very young girls in sexual ways. Over the past decade, the fashion industry has begun to use younger and younger models, and now commonly presents 12- and 13-year-old girls as if they were women. Camera angles (where the model is often looking up, presumably at a taller man), averted eyes, wounded facial expressions, and vulnerable poses mimic the visual images common in pornographic media.

The most cursory examination of media confirms that young girls are being bombarded with images of sexuality, often dominated by stereotypical portrayals of women and girls as powerless, passive victims.

Images of Women

Advertisements not only sell products, but sell ideas about romance, sex, success, beauty, and power. Advertisements will have you believe that women in the real world are all aged under 40; that no one is disabled and everyone is heterosexual; that a woman's body is in constant need of improvement; that women need to look young, 'beautiful,' made-up, sprayed up, very thin, and perfectly groomed.

How the Media Define Masculinity
For several decades now, media critics and feminists alike have been examining the role of the media in creating and reinforcing stereotypical representations of women and femininity. But only recently have they expanded the research to consider how the media also construct, inform and reinforce prevalent ideas about men and masculinity.

Harrison FordFamilies, friends, teachers, and community leaders all play a role in helping boys define what it means to be a man. Mainstream media representations also play a role in reinforcing ideas about what it means to be a "real" man in our society. In most media portrayals, male characters are rewarded for self-control and the control of others, aggression and violence, financial independence, and physical desirability.

The media’s portrayal of men tends to reinforce men’s social dominance. The majority of male characters in media are heterosexual; male characters are more often associated with the public sphere of work, rather than the private sphere of the home, and issues and problems related to work are more significant than personal issues.

Masculinity and Advertising
Marlboro ManIn its study of masculinity and sports media, the research group Children Now found that most commercials directed to male viewers tend to air during sports programming. Women rarely appear in these commercials, and when they do, they’re generally portrayed in stereotypical ways.

In fact, in his analysis of gender in advertising, author and University of North Texas professor Steve Craig argues that women tend to be presented as "rewards" for men who choose the right product. He describes such commercials as "narratives of playful escapades away from home and family." They operate, he says, at the level of fantasy—presenting idealized portrayals of men and women. When he focused specifically on beer commercials, Craig found that the men were invariably "virile, slim and white"—and the women always "eager for male companionship."

Author and academic Susan Bordo (University of Kentucky) has also analyzed gender in advertising, and agrees that men are usually portrayed as virile, muscular and powerful. Their powerful bodies dominate space in the ads. For women, the focus is on slenderness, dieting, and attaining a feminine ideal; women are always presented as not just thin, but also weak and vulnerable.

These critics and others suggest that just as traditional advertising has for decades sexually objectified women and their bodies, today’s marketing campaigns are objectifying men in the same way.


FURTHER READING

Morna, C L and Ndlovu Sikhonzile S 2007, Mirror on the Mirror, Gender and Advertising in Southern Africa, Gender Links, Johannesburg.

Gill, R 2008, ‘Empowerment/sexism: figuring female sexual agency in contemporary advertising’, Feminism & Psychology, vol. 18, no. 1, pp. 35 – 60, ,<http://fap.sagepub.com/content/18/1/35.full.pdf+html>

Media Awareness Network, www.media-awareness.ca





26. Advertising and Ethics -- Part 2


University of Botswana
Department of Media Studies
BMS 226 ETHICS FOR MEDIA PROFESSIONALS

HANDOUT 25: ETHICS AND ADVERTISING


The need for ethical standards
Consumers can make informed choices without being exploited.
Advertisers can compete with one another on fair terms.

Self regulation
Self-regulation is a system by which the marketing communication industry voluntarily regulates the content of advertising. The three parts of the industry - the advertisers who pay for the advertising, the advertising agencies responsible for its form and content, and the media which carry it - work together, to agree advertising standards and to set up a system to ensure that advertisements which fail to meet those standards are quickly corrected or removed.

Advertising Standards Authority of South Africa
The Advertising Standards Authority of South Africa (also known as the ASA) is an independent body set up and paid for by the marketing communication industry to ensure that its system of self-regulation works in the public interest. The ASA has a president independent from the industry.

The Code of Advertising Practice is the guiding document of the ASA. The Code is based upon the International Code of Advertising Practice, prepared by the International Chamber of Commerce. This is internationally accepted as the basis for domestic systems of self-regulation. It forms the foundation of this Code in which the basic principles laid down in the International Code are related to the particular circumstances of advertising in South Africa. The Code is drawn up by the ASA with the participation of representatives of the marketing communication industry, and is amended from time to time to meet the changing needs both of the industry and of our society.

Advertising should be distinct
In television advertising is separate from the programmes. They should not intrude into the content and timing. In many countries there are restrictions on how much advertising can be shown in any one hour and on how frequently programmes can be interpreted for advertisements. This is NOT the case in all countries. In some the amount of advertising that can be shown is only dependent on the amount of advertising the television channel can sell.

Advertorials
Advertisements should not imitate the style of the programmes or the editorial (in the case of newspapers and magazines) that surround them. This is most obviously the case with newspaper ‘advertorials’ (advertising written in the style of news reports). This type of advertising is allowed but it needs to be made clear to readers that it is paid-for material. The best way to make the distinction is to put a clear heading saying ‘advertorial’ above the advertisement and to use a type face for the advertisement that is different from the type face used for news stories.

The Johannesburg Star has a code of ethics for advertorials and part of it reads:
  • Editorial content of The Star's surveys and advertising features should observe the same standards of good writing expected in the rest of the newspaper, namely accuracy, fairness, clarity, conciseness and good taste.
  • Readers should be left in no doubt about the source of copy. If material has been provided by advertisers or other sources outside The Star, this should be clearly stated. Claims by advertisers and other companies must be attributed to them and not presented as statements of fact.
Taste and decency
Advertisements should not be offensive to public feeling or prejudice respect for human dignity. Advertisements should not offend against good taste and decency exploit a living person’s dignity.

The problem here is the definition of ‘taste’. What one person finds ‘distasteful’, another person does not.

For example, in March 2005, The ASA ruled on a complaint from a viewer about a Hyundai television advertisement shown on SABC.

It features a man and a woman sitting in a Hyundai Getz car, apparently about to go on a date. The woman suggests that they skip dinner and the movie and “…just get on with it.” The words “Good things happen to Hyundai drivers” appear on-screen. The complainant submitted that this commercial creates the impression that it is acceptable for young consenting adults to engage in sex outside of marriage. This impression is reinforced by the fact that the couple in the car appear to be no more than 17 or 18 years of age. This is an irresponsible message to send out, especially in a country facing a crisis over HIV/Aids. The complainant also submitted signatures of 62 other people who have the same sentiments.

The complaint was upheld and the advertisement was removed.

In another complaint, a television advertisement for Yogi Sip features a young man sitting in the library who sees an attractive woman or librarian walking into the section where he is seated. The woman climbs up a ladder or step ladder to place a book on the higher shelves. The young man looks at her and then at another librarian or library user who is much older. The television screen reads, “Temptation. Sometimes you can resist it. Sometimes you can’t.” These words are repeated in a voice-over as they appear on-screen. In the next scene, the young man is seen drinking his Yogi Sip. This suggests that he preferred the temptation of a Yogi Sip over the temptation created by the beautiful woman climbing up the step ladder, wearing a skirt revealing an appreciable amount of her legs and thighs.

A complaint was made that the advertisement stereotypes the woman in the advertisement as a sexual object and exploits her body and sexuality to sell a product.

The company said that the advertisement falls far short of stereotyping or portraying the woman in a negative way, such as where a woman is portrayed as stupid, ridiculous, or a sex object. The commercial also does not demean, objectify, or portray women in a stereotypical manner.

The ASA ruled that it is impossible in the context of this commercial to suggest that the young man’s conduct constituted unwanted or unwelcome conduct of a sexual nature.

The complaint was dismissed.

Health and safety
Advertisements should not encourage behaviour prejudicial to health and safety (e.g. in many countries there are bans on tobacco, betting and gaming, guns, pornography).

Alcohol
Alcohol advertising should not be linked to physical performance, driving, social or sexual success.

Advertisements should not encourage under-age drinking or drinking to excess.

Advertisements should not set out to encourage a general increase in the consumption of alcohol.

Advertisements should not claim that alcohol has curative qualities, nor offer it expressly as a stimulant, sedative or tranquiliser.

Advertisements must be mindful of sensitivities relating to culture, gender, race and religion and must not employ religion or religious themes.

Children
Advertisements should not include misleading images and should not make exhortations to buy by exploiting inexperience. There should not be images of dangerous behaviour.

The ASA considered complaints against a television commercial for the Hyundai Tucson motor vehicle. The commercial features a model opening a beer twist-off bottle with her eye socket. The words, “Pretty but tough” appear across the screen, after which the Hyundai Tucson is pictured.

Viewers complained that the commercial is irresponsible in light of the fact that children could attempt to emulate this behaviour, which could lead to serious injuries to their eyes and damage to their sight.

The company said that what is shown in the commercial is no more than a stunt or actions such as those that are watched by children on many other programs including children’s television programmes.

The ASA said that the commercial is not addressed specifically to children. The product advertised is a car, which is not a product children buy; and the scene in question involves a beer bottle, which is not a product children usually consume. It said the commercial is clearly hyperbolic. It is not likely to be understood as making a literal claim to the effect that human beings are capable of opening beer tops with their eye socket. The act of opening a bottle with one’s eye is not portrayed in a manner that appears natural. It should be apparent to the reasonable child that it is unrealistic and potentially dangerous. A child who did try to emulate the action would find that it was in fact impossible before reaching the point of damaging an eye.




FURTHER READING
Advertising Standards Authority of South Africa (recent adjudications on complaints) http://www.asasa.org.za/RecentRulings.aspx

Monday, 12 March 2012

25. Advertising and Ethics -- Part 1

University of Botswana
Department of Media Studies
BMS 226 ETHICS FOR MEDIA PROFESSIONALS

HANDOUT 24:
ADVERTISING

Advertising is a form of communication used to influence individuals to purchase products or services or support political candidates or ideas.

Often it communicates a message that includes the name of the product or service and how that product or service could potentially benefit the consumer.

Advertising is a service to the public and, as such, should be legal, decent, honest and truthful, and be prepared with a sense of responsibility to the consumer. 

Legal: Advertisements should comply with the law and should not incite anyone to break it.
Decent: Advertisers must consider public sensitivities.
Honest: Advertisers should not exploit the credulity, lack of knowledge or inexperience of consumers.
Truthful: No advertisement should mislead, or be likely to mislead, by inaccuracy, ambiguity or exaggeration.

Advertising must inspire public confidence; if bad advertising - dishonest, misleading or offensive - is allowed to go on unchecked, even though it may account for only a small percentage of the whole, it will gradually undermine consumers' confidence and all advertising will suffer.

Advertising plays an important role in socialisation. Apart from influencing what the public consumes, advertising also influences the public’s opinion and world view.

Advertisements portray and interpret society’s definition of roles for men and women: From the earliest years of children, advertisements shape the way of their lives, and what to consume. Many commercials showing boys playing with cars and girls playing with dolls create different tastes and preferences for each sex.

Most advertising seeks to reinforce what is socially accepted behaviour and roles for the two sexes, thus defining what is feminine and masculine. For example men are more likely to be portrayed as figures of authority in business settings while women are confined indoors especially in the kitchen and when they appear in the business world they are restricted to ‘less challenging’ roles like beauty and fashion industries.

Most advertisers make use of mass media to reach their target audiences and therefore advertisements easily find their way to the public. Many people aspire to live like the people or use the products and services that they see in adverts. Advertising creates tastes, some of which are alien to a people’s way of life.

Ethical codes of practice (self-regulation) have two main purposes: (i) to protect the consumer; (ii) to ensure professionalism among advertisers.

Codes lay down criteria for professional conduct and at the same time inform the public of the self-imposed limitations accepted by those using or working in advertising. Codes form the basis for arbitration where there is a conflict within the industry, or between advertisers and the general public.



The Advertising Standards Authority of South Africa.

Animals and Advertising
No advertisement may contain anything that might reasonably be thought to encourage or condone cruelty or irresponsible behaviour towards animals.
Children and Young People
Advertisements addressed to or likely to influence children should not contain anything which may cause them harm mentally, morally, physically or emotionally.
Advertisements should not exploit children’s natural trust, lack of experience or their sense of loyalty.
Advertisements should not portray children in a sexually provocative or suggestive manner.
Discrimination
Advertisements should not contain anything that is discriminatory, unless, in the opinion of the Advertising Standards Authority such discrimination is reasonable and justifiable in an open and democratic society based on human dignity, equality and freedom.
Educational courses
Advertisements for educational courses should not mislead as to the status or extent of recognition of the qualification that can be obtained.
Fear
Advertisements should not use fear tactics without justifiable reason.
Financial Advertising
Advertisements for financial products or services should take special care to ensure that the public are fully aware of the nature of any commitment they may enter into as a result of responding to the advertisement. Advertisers should take note of the complexities of finance, especially when advertising to consumers, and should not take advantage of the lack of experience, knowledge or trust of consumers.
“Free” offers
Advertisements should not describe products as “free” if there is any cost payable by a consumer except for delivery or postage costs.
If there are any costs relating to delivery and postage it must be stated clearly in the advertisement.
Furniture advertising
Advertisements for furniture which show additional items, but which are not included in the price, shall clearly state that the additional items are excluded.
Guarantee
If a guarantee is offered in an advertisement, the full terms and conditions of that guarantee should be available in printed form, for the consumer to inspect.
Honesty
Advertisements should be honest and not abuse consumer’s trust or lack of knowledge.
Training courses
Advertisements for instructional courses should not contain misleading promises of employment or exaggerate the opportunity of employment or future income to those who are interested in taking such courses.
Illegal activities
Advertisements should not show anything, which may encourage or support criminal or illegal activity.
Misleading claims
Advertisements should not contain any statements or visual presentations, which directly or by implication, omission, ambiguity or exaggeration is likely to mislead consumers.
Miracle healing (faith healing)
Advertisements should not make claims or inferences of medical or miracle healing.
Money-back undertaking
The claim “money-back” in the advertisement should only be used if a full refund of the purchase price is offered to dissatisfied consumers. Where such an undertaking is given, the time within which the offer is valid should be clearly indicated in the advertisement.
Non-availability of advertised products
Advertisements should not be published unless the advertiser has reasonable grounds for believing that any demand that is likely to be created by advertising can be met.
Offensive advertising
Advertisements should not contain anything that is likely to cause serious or widespread or sectoral offence.The fact that a particular product, service or advertisement may be offensive to some is not in itself sufficient ground for upholding an objection to an advertisement for that product or service.In considering whether an advertisement is offensive, the context, medium, likely audience, nature of the product or service, prevailing standards, degree of social concern and public interest will among others be taken into account.
Privacy
Advertisements should not portray or refer to any living person(s) by whatever means unless their permission has been obtained. This excludes among others:
Individuals that are shown in a crowd or background provided that the portrayal is not offensive.
Portrayal of individuals who form part of the subject matter on advertisements for books, films, radio or television programmes, press features etc.
Safety
Advertisements should not without justifiable reason, show any dangerous practices or situations.
Self-employment opportunities
Advertisements for self-employment opportunities may not be phrased in a manner which is likely to lead to the opportunity being confused with part-time or normal employment.
Such advertisements may not require any money to be sent before full information about the self-employment opportunity is supplied to the consumer.
Selling without express consent from consumers
Advertisers may not supply advertised goods or services to consumers without consumers’ express authority.
Substantiation of claims
Advertisers should have available acceptable proof of all factual claims made in advertising.
Violence
Advertisements should not show anything, which may encourage or support acts of violence.


Legal, decent, honest, truthful, 

by Charlotte Macpherson, 

June 2007  

(http://www.todayszaman.com/tz-web/columnists-114038-legal-decent-honest-truthful.html)


Should advertisers be allowed to put any image they like on a billboard, or are there limits to public decency? This has been a recent debate in Turkey, with arguments about adverts for bikinis and swimsuits at Atatürk airport. Feminists in Europe have for years campaigned against the use of the female body to sell goods.


For example, they argue, why do you need girls in bikinis sitting on the hood of a sports car at a motor show to make people think it is a good car? 

But it is hard to imagine an advert for swimwear that doesn’t show a girl in swimwear. Equally, an advert for a silk headscarf normally features a lady modeling the latest headscarf fashion. I guess it is a question of perspective. I have historically found the Turkish swimwear adverts fairly tame … getting used to the standards applied here I can be shocked by a poster when I travel in Europe or the US where not just a raunchier pose may be used, but the advertising strapline has a double entendre to it.

So I didn’t really think about writing about the Turkish advert argument until this week when I saw an advertisement for Coppertone sun tan lotion in many national newspapers. It is an image I remember from my youth: a pretty young girl, aged about 3 or 4, with her blond hair in bunches. She has a great suntan, made all the more obvious because you see her “white patch” when her pet dog playfully pulls at the seat of her swimming pants.

It is a cute scene, which obviously in Turkey is viewed as innocent. But you will not see the same advert in the UK any more. Coppertone withdrew the design about two decades ago, following complaints that it could provoke attacks on young children by men with pedophiliac tendencies.
Seeing again an image that caused a lot of debate abroad made me realize that public sensitivities, or the definition of what is normal decent behavior and what is shocking, changes from culture to culture.
It also varies within one culture. For example the swimwear argument arose because some in Turkey think the ads were beautiful and acceptable, others find them offensive and inappropriate.

In Turkey it seems it is the local authority that is the arbiter of public decency, and what is acceptable in an ad or not.

I did a bit of research on the Coppertone ad in the UK. Was it banned by a local authority, or a national government body? No, in the UK the advertising industry regulates itself.

The Advertising Standards Authority (ASA) is the independent body set up by the advertising industry to police the rules laid down in the advertising codes. The strength of the self-regulatory system lies in both the independence of the ASA and the support and commitment of the advertising industry to the standards of the codes, protecting consumers and creating a level playing field for advertisers.

Following complaints to the ASA, Coppertone pulled its advert, as they realized that an ad that causes concern or is offensive to part of the target audience is not a good ad. If instead of attracting your potential customers it puts them off, it is not just a waste of money, it may do damage to your brand and cause existing customers to switch away from your product.

Basically the rules outlaw misleading advertising and offensive advertising. Advertisements are not allowed to mislead consumers. This means that advertisers must hold evidence to prove the claims they make about their products or services before an ad appears. Ads are not allowed to cause serious or widespread offense. Special care needs to be taken on the grounds of sex, race, religion, sexuality and disability.

FURTHER READING:

Advertising Standards Authority of South Africa

Advertising Self-Regulation – the essentials, European Advertising Standards Alliance, 2003.

Colleen Lowe Morna and Sikhonzile, Gender and Advertising in Southern Africa.